Monsoon Wedding (2001, Mira Nair)

Monsoon Wedding is a celebration of life through the many complexities of a conventional upper-class Indian matrimony. It is as real as any Indian betrothal, an authentic portrayal dripped in an oneiric yet and chaotic and joyful exuberant aura.

Though primarily in English and centred around an event of the bourgeoisie, the Indian culture and charm aren't lost a bit through Mira Nair's gaze and the poignancy is maintained throughout. In Nair's hands, everything is fleshed out like a cream, resembling a fading dream.

Declan Quinn's camera captures India in its most sophisticated state, from the crowded markets to the cacophonic streets to the melancholic nights and grandeur refectories and above all, the intimacy of the characters is beautifully encapsulated.

The way Nair handled so many intersecting characters is commendable, each dwelling in their own shares of agony and elation. Through her plethora of personas, Nair doesn't shy away from scrutinising the deeply rooted problems of Indian society, be it sexual abuse or class alienation.

The biggest masterstroke that Nair played is the use of memorable classic songs, which flows smoothly with the narrative and elevates the brilliance of the film to a whole new degree. The ensemble too makes it a movie of their own with flawless performances especially Tillotama Shome and Vijay Raaz at the top of their game alongside the ever-dependable Naseeruddin Shah and Shefali Shah.

A must watch to take a trip and bring back the memories of long-gone family convocations.